3-2023

Questions of rhythm, language and medium

The third and final issue of Nokturno 2023 is here! It features a lot of video poetry and a work combining visual poetry and sound art. Latitudes, a work of video poetry by Sarah Sands Phillips, creates an atmosphere of remembering through the repetitive rhythm of waves. The poetic text on the water’s horizon resembles […]

2-2023

Machinic Farewell

The summer Nokturno begins with a selection of machinic aphorisms. Lento #1 (“Flight #1”) by poet Jonne Piltonen and musician Heikki Saarenkunnas floods its expressional space with AI-assisted aphorisms. The composed and animated whole utilizes GPT-J language model and Stable Diffusion image generator as basis of its expression. Manuaali (“A Manual”), a “kinetic audiobook” by performance art group virate.me, takes full […]

3-2022

and in the darkness bind them

A four-part poetry film series Toxic Love Cycle, by Maryam Ghouth, approaches a suffocating relationship from the point of view of psychological projection. Sanna Telkki-Kova’s video poem Moribunda sum deals with death and the finiteness of life in terms of different mythological stratums. Menneisyysgenerattori (“Generator of the Past”) by Laura Tressel uses old weather forecasts, […]

2-2022

Ruminating Senses

“Why should the digital world in the first place imitate poetry printed on paper? Why would I imitate a three-dimensional world, for a browser-based expression is not a three-dimensional phenomenon?” These are words from Nokturno’s interview of J.P. Sipilä, one of the most prominent and international video poetry authors in Finland. Sipilä’s thoughts have a strong […]

1-2022

Digital histories of literature

When the commemorative event of the 700th anniversary of Dante Alighieri’s (1265–1321) passing took place last autumn at the Ashmolean Museum, Oxford University, there was (at least) one android among the guests. Ai-Da, “the world’s first ultra-realistic robot artist”, had generated for the event a selection of poems inspired by the textual mass of The […]