{"id":4345,"date":"2020-04-15T10:30:57","date_gmt":"2020-04-15T07:30:57","guid":{"rendered":"http:\/\/u58954.www1.webdomain.fi\/hallinta\/our-poet-in-digital-residence-2020-is-kyle-booten\/"},"modified":"2020-11-03T09:10:43","modified_gmt":"2020-11-03T07:10:43","slug":"our-poet-in-digital-residence-2020-is-kyle-booten","status":"publish","type":"post","link":"https:\/\/nokturno.fi\/en\/our-poet-in-digital-residence-2020-is-kyle-booten\/","title":{"rendered":"Our poet-in-Digital-Residence 2020 is Kyle Booten!"},"content":{"rendered":"<p>We once again received plenty of intriguing applications from poets and artists both from Finland and abroad. This year we selected a project that represents a genre of digital poetry that hasn\u2019t yet been visible in our residence, computer-generated textual poetry. Kyle Booten\u2019s work utilizes textual environment of social media and addresses spiritual questions from the point of view of automatization and technological development. How can praying be automatized? What kind of new insights can this bring to our understanding of a prayer?<\/p>\n<p>The text-generation system will pray in response to needs expressed by social media users. It will do so 24 hours a day, exceeding any human capacity to care about others. Together with his algorithms Kyle Booten recreates Nokturno\u2019s Digital Residence as a kind of a virtual monastery readers can join.<\/p>\n<p>Evoking the &#8216;Liturgy of the Hours,&#8217; it will pray in different ways at different times of the day, using a variety of text-generation tactics. Booten\u2019s project also brings into discussion the ethics of algorithms. As he writes:<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>&#8220;Today it is common to be suspicious of the ways that algorithms can be unethical, for instance, by encoding biases about gender and race. The point of this piece is to explore whether algorithms can also be ethical in ways that we cannot.&#8221;<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>Kyle Booten is a computational poet and an interdisciplinary scholar of literacy and media. His computer-generated and computer-mediated poetic works have been published in venues such as Lana Turner, Boston Review, Fence, Taper, and Tentacular. His latest publications in academic research include Proceedings of the 10th International Conference on Computational Creativity, an article on digital realizations of rhetorical devices and #Identity (University of Michigan Press, 2019), in which he examined \u201dhashtag rhetoric\u201d in Twitter environment. Booten is currently a postdoctoral fellow in the Neukom Institute for Computational Science at Dartmouth College in New Hampshire, USA. In the fall he will begin a position as assistant professor of English at the University of Connecticut, Storrs. More information about Booten and his projects you\u2019ll find at his website <a href=\"https:\/\/kylebooten.me\/\">kylebooten.me<\/a>.<\/p>\n<p>Our previous poet-in-digital-residence have created works of gamified poetry, sound poetry, video poetry, interactive and collaborative poetry. More information on Nokturno\u2019s Digital Residence you\u2019ll find <a href=\"https:\/\/nokturno.fi\/en\/digital-residence\">here<\/a>.<\/p>\n<p>Nokturno\u2019s Digital residence is funded by Kone Foundation and the Ministry of Culture and Education with their subsidy for art and culture magazines.<\/p>\n<p><em>Edited 3.11.2020: Kyle Bootens residency begins on 23rd of November instead of October we announced earlier.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We once again received plenty of intriguing applications from poets and artists both from Finland and abroad. This year we selected a project that represents a genre of digital poetry that hasn\u2019t yet been visible in our residence, computer-generated textual poetry. Kyle Booten\u2019s work utilizes textual environment of social media and addresses spiritual questions from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[713],"tags":[],"class_list":["post-4345","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts\/4345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/comments?post=4345"}],"version-history":[{"count":2,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts\/4345\/revisions"}],"predecessor-version":[{"id":6058,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts\/4345\/revisions\/6058"}],"wp:attachment":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/media?parent=4345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/categories?post=4345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/tags?post=4345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}