The last issue of 2017 brings you inter-arts poetry, video and sound and two overviews to early Finnish poetry generators.<\/p>\n
Our series of essays on Arto Kyt\u00f6honka<\/strong>, pioneer in Finnish digital poetry, complements with two essays on Kyt\u00f6honka\u00b4s poetry generators. Teemu Ikonen<\/strong>\u00b4s essay<\/a> addresses the subject from academic point of view and in a broader international context where as Heikki Saure<\/strong>\u00b4s essay<\/a> provides a concrete overview on the birth and audience reception of the generators. Ikonen\u00b4s essay is also published in Tuli&Savu<\/a> poetry magazine this month.<\/p>\n Active in Finland\u00b4s multilingual poetry scene Daniel Malpica<\/strong> has collaborated with the Japanese sound artist Tomomi Adachi<\/strong> in creating a performance based on Malpica\u00b4s recent poetry book Written with X<\/i>. Time to deliver: X\u00b3<\/em><\/a> combines 3D printing, multilingual poetry and sound art. The video now published in Nokturno is a documentation of the performance seen as part of CON_TEXT 2017, series of events organized by Lettr\u00e9tage Literature House in Berlin.<\/p>\n In this issue Nokturno presents three video poems<\/a> from Marc Neys<\/strong>, also known as Swoon. Videos Aleppo<\/em>, Despedida \u2013 Farewell<\/em> and The Grave Dug by Beasts<\/em> include poetry from Howie Good<\/strong>, Cec\u00edlia Meireles<\/strong> and Dave Bonta<\/strong>. In his videos Swoon brings together visual material from various sources and combines them with carefully designed music and soundscapes. There\u00b4s also sound poetry from Hanna Storm<\/strong>, the two poems<\/a> originate from a poetry-sound installation Kapeasta laidasta kiertyv\u00e4 jatkuva kehyst\u00e4minen<\/em>, exhibited at gallery Third Space in Helsinki earlier this year.<\/p>\n Last but not least, we have two poems<\/a> from Sanna R\u00e4m\u00f6<\/strong> and a video poem from poet and publisher Susinukke Kosola (alias Daniil Kozlov<\/strong>). R\u00e4m\u00f6\u00b4s Alaviite<\/em> (Footnote) turns around the relatedness of a text and a footnote on a sheet of paper. The poem is published together with an untitled poem exploring the outskirts of language. Susinukke Kosola\u00b4s video poem Rojusi ovat lyhytn\u00e4k\u00f6isyyteni patsaita<\/em><\/a> uses dramatic music to create a background to an everyday kitchen scene slowly diving into morphosis.<\/p>\n We\u00b4ll be publishing new poetry next time in February 2018. Before that, stay tuned for an open call for the next digital residency taking placing in April-May!<\/p>\n Thank you to our authors, readers and funders for the first whole year of the relaunched Nokturno!<\/p>\n Please continue to send us your poems or anything poetry related that finds it\u2019s home in the digital world! Deadline for next issue is 2nd of February and the email is toimitus@nokturno.fi.<\/p>\n (Photo: Screen capture from Daniel Malpica\u00b4s and Tomomi Adachi\u00b4s Time to deliver: X\u00b3)<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" The last issue of 2017 brings you inter-arts poetry, video and sound and two overviews to early Finnish poetry generators. Our series of essays on Arto Kyt\u00f6honka, pioneer in Finnish digital poetry, complements with two essays on Kyt\u00f6honka\u00b4s poetry generators. Teemu Ikonen\u00b4s essay addresses the subject from academic point of view and in a broader […]<\/p>\n","protected":false},"author":2,"featured_media":5192,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[719],"tags":[824],"class_list":["post-4310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorials","tag-6-2017-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts\/4310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/comments?post=4310"}],"version-history":[{"count":2,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts\/4310\/revisions"}],"predecessor-version":[{"id":5194,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/posts\/4310\/revisions\/5194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/media\/5192"}],"wp:attachment":[{"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/media?parent=4310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/categories?post=4310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nokturno.fi\/en\/wp-json\/wp\/v2\/tags?post=4310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}